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The challenging scenario is that you decide to change something that affected the inversion choices that the software had already made. I just visited Dorico's website and didn't see much that Finale won't do, so I'll stick with what I know.Ĭhord formation conscious enough of context to incorporate voice leading would be cool, but it's hard to imagine software smart enough to do that. I appreciate the familiarity with software that I've used for years the pain of adapting to new software is real. I often give thanks that I don't have to write music the way Beethoven did! However, I find that Finale generally has a way to do whatever I need it to do, and we play my pieces, so I must be doing something right. My orchestra director uses Sibelius, and he shakes his head, pityingly, that I "put up" with Finale. What I DO appreciate is a big monitor with lots of screen space!įor the past three years or so, I've been composing orchestral pieces. I'm not sure why you'd want to replace your platform as long as it's not misbehaving. I use it on an old 32-bit Hewlett Packard desktop that I purchased used for around $100, so it doesn't require the newest and fastest platform. I have been a heavy Finale user for over 10 years. I can't advise you in AppleWorld, and I haven't even heard of Dorico, but of course that won't stop me from unsolicited bloviation so, feel free to apply grains of salt. Thanks for any thoughts you care to share. One of my frustrations with Finale is there doesn't seem to be any concept of voice leading in the midi chords generated from chord symbols - does anyone know whether Dorico does that better? Has anybody else made that switch and have any comments on how easy or difficult the transition is and whether it's worth it? I frequently write lead sheets with chord symbols in Finale and then export as midi into Logic to use as the starting point for recording projects.
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I'm also intrigued by the thought of switching from Finale (which I've used for years) to Dorico, both because there is an iPad version in addition to the Mac (and the iPad version is getting continually developed), and it seems to have a much more coherent user experience than Finale. Has anybody else gone down that road and have any comments? So I'm thinking of putting most of my investment in an iPad Pro, and then getting a less expensive M1 Mac Mini for Finale and Logic. But I still use the Mac for music notation in Finale and recording in Logic (I was hoping to see Logic for iPad in today's WWDC announcements, but no such luck). I've been to some chamber music concerts lately where I've seen players using the large 12.9" MacBook Pros for reading music, and I think that size would make it possible to read two pages of music side-by-side. I find I'm doing much of my music activity on the iPad - reading music at sessions or gigs (mostly in iGigBook), JustDrones for practicing intonation, occasional iRealPro, listening for transcribing in TempoSloMo, etc.
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Buy from the Steinberg online shop, or contact your local authorized Steinberg reseller.I've reached the point where I'm contemplating a tech upgrade to replace my aging Mac and iPad (both from 2013).
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Students in full-time education are eligible for special educational pricing at a significant discount from full retail pricing.
Use the same tool used by thousands of professionals around the world to produce works for the concert hall, the stage, and the cinema or your TV.
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If you need to write for larger ensembles of up to 12 players, upgrade to Dorico Elements, which includes many of the same powerful features as Dorico Pro, but removes the tools only needed by professionalsĪlternatively, if you have an iPad, get started with Dorico for iPad, which you can download for free from the App Store, and unlock more features with an inexpensive, optional in-app purchase subscription.Īs you grow and develop and move to higher education, step up to Dorico Pro to fully unleash your creativity. Free to download and simple to use, Dorico SE has all of the basic tools you need to write great-looking and great-sounding music for ensembles of one or two players. If you’re a secondary student exploring music theory and composition, Dorico SE for macOS and Windows is the ideal first step into the world of Dorico.
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